Chelsea, New York, USA
October 11 – November 29, 2013
The driving forces behind this show are manifold, but coalesce into an incisive critique of popular culture that nevertheless celebrates the strange effectiveness of its machinations. An important blueprint for the exhibition is Bouchet’s observation that Surrealism was rendered obsolete by the explosion of advertising in the middle of the last century—effectively outshining the artists with a more sophisticated and depraved dream-machine.
The paintings (made by spraying, soaking and staining huge swaths of sheer cotton with the artist’s proprietary diet cola formula) make direct use of the caramel-colored gold that is one of America’s greatest symbols of youth and freedom as well as its premier health risk—an exported analogue to crude oil.